A Selection Of Psalm And Hymn Tunes, From The Best Authors, In Three And Four Parts: Adapted Principally To Dr Watt's Hymns And Ps

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revoluti... Read more

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>British Library<ESTCID>T160014<Notes>'A brief introduction to psalmody' is signed at end: T. Walker. The titlepage, preface, 'A brief introduction to psalmody.', the explanations of musical terms and metres and the index are in letterpress; the scores are engraved.<imprintFull> London]: Sold by Mr. Rippon, and may be had at the vestry of his meeting-house, in Carter-Lane, Tooley-Street, 1790?]. <collation> 2], ii,13, 209]p.: engr.music; obl.12 Less