Happy Lovin' Time: Sunshine Pop from the Garpax Vaults N/A Artist

One of the great eccentric pop producers of the '60s, {|Gary S. Paxton|} first scored with the early-'60s novelty singles Alley Oop and Monster Mash, and a decade later he decamped for Nashville, where he got straight and found religion. In between t... Read more

One of the great eccentric pop producers of the '60s, {|Gary S. Paxton|} first scored with the early-'60s novelty singles Alley Oop and Monster Mash, and a decade later he decamped for Nashville, where he got straight and found religion. In between those two extremes, he scored smash hits with {|the Association|} and {|Tommy Roe|}, and those singles are the touchstones for {|Happy Lovin' Time: Sunshine Pop from the Garpax Vaults|}, a spectacular collection of 24 {|Paxton|}-produced rarities from the late '70s. Most of these recordings -- a good chunk of which are unreleased; 13 of the 24, to be exact -- were made in 1966 and 1967, which is when {|Paxton|} headquartered his Garpax Studios in Hollywood, instructing {|the Four Freshmen|} on how to sing harmonies as he foraged a fruitful partnership with {|Curt Boettcher|}. Nowhere to Go, that {|Four Freshmen|} 45, is here, as are the unreleased {|Boettcher|} numbers Stay and Christina, In My Dreams, along with other collaborations with {|Curt|}. {|Boettcher|} was a good match for {|Paxton|}, ratcheting up his majestic instincts, but what's striking about {|Happy Lovin' Time|} is the extent of the producer's quirks, how he'd throw everything into the mix, balancing freaked-out fuzz guitars with blaring horns, undercutting a soul groove with harpsichords, and sliding harmonies into a bath of liquid echoes. All this studio flair is very trippy and very Southern Californian; the sides {|Paxton|} recorded in Bakersfield prior to leaving for Nashville aren't of a piece with this lush studio craft, there's not a bit of prescient country-rock. That ingenious use of the studio -- colorful and willful without being self-consciously strange -- is what makes {|Happy Lovin' Time|} such a delight. Sure, some of the songs are tightly written or boast hooks that carve their way into the cranium, but it's those sounds, softly swirling yet slyly insistent, that make this collection such a blast and such a valuable document of the swinging '60s L.A. underbelly. ~ Stephen Thomas Erlewine Less