Jerusalem

What is the secret of the power that has made Miss Lagerlöf an author acknowledged not alone as a classic in the schools but also as the most popular and generally beloved writer in Scandinavia? She entered Swedish literature at a period when the co... Read more

What is the secret of the power that has made Miss Lagerlöf an author acknowledged not alone as a classic in the schools but also as the most popular and generally beloved writer in Scandinavia? She entered Swedish literature at a period when the cold gray star of realism was in the ascendant, when the trenchant pen of Strindberg had swept away the cobwebs of unreality, and people were accustomed to plays and novels almost brutal in their frankness. Wrapped in the mantle of a latter-day romanticism, her soul filled with idealism, on the one hand she transformed the crisp actualities of human experience by throwing about them the glamour of the unknown, and on the other hand gave to the unreal - to folk tale and fairy lore and local superstition - the effectiveness of convincing fact. "Selma Lagerlöf," says the Swedish composer, Hugo Alfvén, "is like sitting in the dusk of a Spanish cathedral. afterward one does not know whether what he has seen was dream or reality, but certainly he has been on holy ground." The average mind, whether Swedish or Anglo-Saxon, soon wearies of heartless preciseness in literature and welcomes an idealism as wholesome as that of Miss Lagerlöf. Furthermore, the Swedish authoress attracts her readers by a diction unique unto herself, as singular as the English sentences of Charles Lamb. Her style may be described as prose rhapsody held in restraint, at times passionately breaking its bonds. Miss Lagerlöf has not been without her share of life's perplexities and of contact with her fellowmen, it is by intuition that she \iworks\i rather than by experience. Otherwise, she could not have depicted in her books such a multitude of characters from all parts of Europe. She sees character with woman's warm and delicate sympathy and with the clear vision of childhood. "Selma Lagerlöf," declared the Swedish critic, Oscar Levertin, "has the eyes of a child and the heart of a child." This naïveté is responsible for the simplicity of her character t Less