Kenny Drew and His Progressive Piano Kenny Drew Artist

This compilation pairs two of pianist {|Kenny Drew|}'s earliest record dates as a leader, both of which were issued by {|Norgran|} in the mid-'50s. For the most part, the music is rather easygoing, with an emphasis on {|ballads|}. With bassist {|Euge... Read more

This compilation pairs two of pianist {|Kenny Drew|}'s earliest record dates as a leader, both of which were issued by {|Norgran|} in the mid-'50s. For the most part, the music is rather easygoing, with an emphasis on {|ballads|}. With bassist {|Eugene Wright|} (who would join {|Dave Brubeck|}'s classic quartet within a few years) and either {|Charles Wright|} or {|Lawrence Marable|} on drums, {|Drew|} mixes seven originals, a pair of {|standards|}, and a couple of long forgotten tunes. The rapid-fire treatment of {|Fifty-Second Street Theme|} (with some fine bass work) and the oft-center approach to {|I'll Remember April|} provide some variety from the generally laid-back sound of the CD. Also rewarding are {|Drew|}'s two solos, both of which are {|ballads|}: the obscure {|I Can Make You Love Me (If You'll Let Me)|} and the venerable {|standard|} {|Polka Dots and Moonbeams.|} The pianist's compositions are enjoyable, though not particularly memorable. Reissued on CD in Japan by {|Polygram|} in 1992, this disc is well worth acquiring for {|bop|} fans, providing they can find it. ~ Ken Dryden Less