Reading Art Spiegelman

by Philip Smith

2021-01-08 12:43:23

The horror of the Holocaust lies not only in its brutality but in its scale and logistics; it depended upon the machinery and logic of a rational, industrialised, and empirically organised modern society. The central thesis of this book is that Art S... Read more

The horror of the Holocaust lies not only in its brutality but in its scale and logistics; it depended upon the machinery and logic of a rational, industrialised, and empirically organised modern society. The central thesis of this book is that Art Spiegelman''s comics all identify deeply-rooted madness in post-Enlightenment society. Spiegelman maintains, in other words, that the Holocaust was not an aberration, but an inevitable consequence of modernisation. In service of this argument, Smith offers a reading of Spiegelman''s comics, with a particular focus on his three main collections:Breakdowns(1977 and 2008), Maus(1980 and 1991), andIn the Shadow of No Towers(2004).He draws upon a taxonomy of terms from comic book scholarship, attempts to theorize madness (including literary portrayals of trauma), and critical works on Holocaust literature.

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Book Details

File size9.02 X 5.98 X 0 in
Print pages160
PublisherRoutledge
Publication date December 10, 2015
LanguageEnglish
ISBN9781138956766
Philip Smith is the former managing editor of GQ and an artist whose works are in the permanent collections of the Whitney Museum, the Dallas Museum of Art, and the Detroit Institute of Arts, among ma...

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