Roses Four One Act Plays
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By Hermann Sudermann 20 Jul, 2020
Excerpt from Roses, Four One-Act Plays: Streaks of Light the Last Visit Margot the Far-Away Princess An octagonal pavilion of the Rococo period, the three front walls of which are cut off by the proscenium. Ceiling and walls are cracked and spotted ... Read more
Excerpt from Roses, Four One-Act Plays: Streaks of Light the Last Visit Margot the Far-Away Princess An octagonal pavilion of the Rococo period, the three front walls of which are cut off by the proscenium. Ceiling and walls are cracked and spotted by rain, and bear the marks of long disuse. At the back, in the centre, a large doorway. The glass door is thrown wide open; the shutters behind are closed. On the right and left, in the oblique walls of the room, are windows, the shutters of which are also closed. Through the blinds at the door and the right window, sunbeams in streaks of light penetrate the semi-darkness of the room. On the left, in the foreground, a Louis Sixteenth sofa with table and gilded chairs to match. On the wall above, an old mirror. Near the sofa, a tapestried doorway. A chandelier wrapped in a dusty gauze covering is suspended from the ceiling. A four-post bed with hangings of light net takes up the right side of the stage. In the foreground, in front of the bed, a table with plates, glasses, wine-decanters, and provisions on it. A coffee percolator stands under the table. In the middle of the stage, a little to the right, a chaise-longue. At the head of it, a small table. Less
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  • 133.583 KB
  • 196
  • Public Domain Book
  • English
  • 978-1297779091
Educated at Koningsberg University and the University of Berlin, Sudermann had to give up his studies because of financial difficulties. He worked for a time as a tutor before becoming a journalist in...
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