Synthesis Evanescence Artist

{|Amy Lee|} may have intended the title of {|Synthesis|}, {|Evanescence|}'s fourth album, to represent the combination of the organic and artificial -- or how the symphonic merges with the electronic -- but this isn't necessarily a huge leap from her... Read more

{|Amy Lee|} may have intended the title of {|Synthesis|}, {|Evanescence|}'s fourth album, to represent the combination of the organic and artificial -- or how the symphonic merges with the electronic -- but this isn't necessarily a huge leap from her earlier work. From the outset, {|Evanescence|} sampled seemingly contradictory styles -- metal, goth, and prog were equal partners on their 2003 debut {|Fallen|} -- so this transition to unabashed pomp and circumstance doesn't seem sudden, especially as it's arriving after a long six years. {|Synthesis|} also feels familiar because all but three songs (plus a piano solo) are taken from the group's three previous albums, with selections from their eponymous 2011 album taking center stage at five selections. Immediately, it's striking that the onslaught is a natural fit with {|Amy Lee|}, whose powerhouse vocals often wrestle the orchestra into submission. Next, the layered, skittering electronic rhythms grab attention, and far from keeping the music in a straitjacket, the precision of the beats help give {|Synthesis|} a steel spine, reinforcing the bombast of the band and strings. This successful fusion also amounts to a step forward for {|Evanescence|}, as this kind of proudly theatrical arrangement would suit {|Amy Lee|} well for years, and that's why {|Synthesis|} doesn't feel like a holding pattern: It feels like the start of a new chapter. ~ Stephen Thomas Erlewine Less