The 2nd of May May Blitz Artist

The second and final {|May Blitz|} album basically picked up where its predecessor left off, with the thunderous and foreboding {|For Mad Men Only,|} and then bludgeoned on from there. Except, where {|May Blitz|} concentrated on weight, {|2nd of May|... Read more

The second and final {|May Blitz|} album basically picked up where its predecessor left off, with the thunderous and foreboding {|For Mad Men Only,|} and then bludgeoned on from there. Except, where {|May Blitz|} concentrated on weight, {|2nd of May|} is more interested in mood and even mirth -- {|25th of December 1969|} would be almost jovial, if the lyrics weren't so harsh, while the balladic {|Just Thinking|} closes the album with the sweetest of whispers. It's a tighter disc than its predecessor. Just two of the eight songs really top five minutes, as the band learned how to cram maximum impact into minimal space, and layered the virtuosity on from there. The helter-skelter blur of {|Eight Mad Grim Nits|} is as electrifying a guitar workout as you're likely to hear, with the axe panning wildly while the rhythm section soars like a steeplechase behind it; while {|High Beech|} takes the opposite tack entirely, a {|psychedelic|} dream that builds so gently that the effect is almost boleric. {|Honey Coloured Time,|} too, has a gentle mood that puts one in mind of labelmates {|Black Sabbath|}'s {|Planet Caravan,|} as performed by the {|Full House|} era {|Fairport Convention|}. And, while a lengthy {|Tony Newman|} drum solo doesn't really repay repeat listens (well, not unless you like drum solos), still {|2nd of May|} remains one of those albums that you will find yourself returning to again and again, while wishing {|May Blitz|} had held on long enough to cut a follow-up. ~ Dave Thompson Less