The Irresponsible Self: On Laughter and the Novel
by James Wood
2021-01-01 02:45:34
The Irresponsible Self: On Laughter and the Novel
by James Wood
2021-01-01 02:45:34
"James Wood has been called our best young critic. This is not true. He is our best critic; he thinks with a sublime ferocity."--Cynthia Ozick Following the collection "The Broken Estate"--which established James Wood as the leading critic of his gen...
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"James Wood has been called our best young critic. This is not true. He is our best critic; he thinks with a sublime ferocity."--Cynthia Ozick
Following the collection "The Broken Estate"--which established James Wood as the leading critic of his generation--"The Irresponsible Self" confirms Wood's preeminence, not only as a discerning judge but also as an appreciator of contemporary novels.
In twenty-three passionate, sparkling dispatches, he effortlessly connects his encyclopedic, passionate understanding of the literary canon with an equally earnest and appreciative view of the most discussed authors writing today, including Franzen, Pynchon, Rushdie, DeLillo, Naipaul, David Foster Wallace, and Zadie Smith.
This collection includes Wood's famous and controversial attack on "hysterical realism," and his sensitive but unsparing examinations of "White Teeth" and "Brick Lane." "The Irresponsible Self" is indispensable reading for anyone who cares about modern fiction.
"Inimitable...He has not only a well-tuned ear for prose but a remarkable ability to convey how novelistic language transubstantiates life into literature...Wood's essays...vibrate with the difficult, serious pleasure that literature uniquely provides."--A.O. Scott, "New York Times Book Review"
"Wood writes with such felicity and zeal that one feels neither the inclination nor the possibility of disagreeing with him...[His] enthusiasm provides such an attractive alternative to the truculence of Dale Peck, and the bloodlessness of 'in-house' academic criticism."--Robert McFarlane, "The Times Literary Supplement"
James Wood was the chief literary critic of "The Guardian" and is a senior editor at "The New Republic." His previous work includes "The Book Against God" (Picador, 2004).
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