The Stage-coach A Comedy. As It Is Acted At The Theatre-royal In Drury-lane: By Her Majesty's Servants.
by George Farquhar 2021-01-02 21:07:56
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revoluti... Read more
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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Bodleian Library (Oxford)

T217343

Anonymous. By George Farquhar. An adaptation of Jean de la Chapelle's 'Les carosses d'Orl ans'. With an epilogue.

London: printed in the year, 1709. 30, 2]p.; 8 Less
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  • Print pages
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  • ISBN
  • 7.44 X 9.69 X 0.09 in
  • 44
  • Gale ECCO, Print Editions
  • June 10, 2010
  • English
  • 9781170837528
George Farquhar (1677[1] – 29 April 1707) was an Irish dramatist. He is noted for his contributions to late Restoration comedy, particularly for his plays The Recruiting Officer (1706) and The Beaux...
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