A Pindarick Ode on Painting
A Pindarick Ode on Painting
By Thomas Morrison
1 Apr, 2019
PREFACE.
AS the subject of this Ode is, from the copiousness of it, almost an inexhaustible one (were I to take notice of all the minuter branches of this art, in which the several masters have distinguished themselves, such as the painting of fruit
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PREFACE.
AS the subject of this Ode is, from the copiousness of it, almost an inexhaustible one (were I to take notice of all the minuter branches of this art, in which the several masters have distinguished themselves, such as the painting of fruit, flowers, still-life, game, buildings, ships, &c.) I have confin’d myself chiefly to the three greater species of it: namely, History (under which Battle-painting may justly be included) Landskip and Portraiture----and as, in a composition of this length, I imagin’d that the perpetual recurrence of the same measure in such a multiplicity of stanzas would have been rather languid and fatiguing, I have therefore indulged myself in many different kinds of meter; but, at the same time, have blended them as harmoniously as I could contrive; by which indulgence I have not only consulted my own ease, but hope I have likewise, in some degree, consulted the pleasure of the Reader, by entertaining his ear, at least, with a little variety of wild music, even if the composition should have no other sort of merit to recommend it. Less