'BIG BROTHER' - The 'Reality Show' as a Globalized 'Post- Documentary' Form

by Ioannis Vamvakitis

2020-05-06 20:30:01

In this book I am attempting to scrutinise the Big Brother show (Endemol, 1999) - the archetype of the 'reality show' genre (Cummings, D, 2002, xii) - as a cultural product of our 'post-modern-late capitalism' era (Jameson, F, 1993, xii). In specific... Read more
In this book I am attempting to scrutinise the Big Brother show (Endemol, 1999) - the archetype of the 'reality show' genre (Cummings, D, 2002, xii) - as a cultural product of our 'post-modern-late capitalism' era (Jameson, F, 1993, xii). In specific, I am focusing on its function as a pop- culture globalised 'post-documentary' form that, on the one hand, reflects our era's 'post-modern' dimension, and through the space-time processes decontextualises space (geography) and time (history), and thus, distorts our sense of the 'real' and transcends the cultural borders; while on the other hand, reflects our era's 'late- capitalism' dimension, and thus, the western capitalistic spaces, (pop-) cultural symbols and social dynamics. Therefore, Big Brother, enhances the globalisation process in the form of westernisation. Less

Book Details

File size6.00(w)x9.00(h)x0.13
Print pages64
PublisherVDM Verlag
Publication date November 18, 2008
ISBN9783639101355

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